CASLON FONT SUBSTITURE PDF
CASLON FONT SUBSTITURE PRO
CASLON FONT SUBSTITURE PROFESSIONAL

Modern Caslon revivals also often add features such as a matching boldface and 'lining' numbers at the height of capital letters, neither of which were used in Caslon's time. Many revivals exist, with varying faithfulness to Caslon's original design.

Caslon's larger-size roman fonts have two serifs on the 'C', while his smaller-size versions have one half-arrow serif only at top right.Д¬aslon's typefaces were popular in his lifetime and beyond, and after a brief period of eclipse in the early nineteenth century returned to popularity, particularly for setting printed body text and books. However, Caslon created different designs of letters at different sizes: his larger sizes follow the lead of a type he sold cut in the previous century by Joseph Moxon, with more fine detail and sharper contrast in stroke weight, in the ' Dutch taste' style. The italic 'J' has a crossbar, and a rotated casting was used by Caslon in many sizes on his specimens to form the pound sign. The 'Q', 'T', 'v', 'w' and 'z' all have flourishes or swashes in the original design, something not all revivals follow. In italic, Caslon's 'h' folds inwards and the 'A' is sharply slanted. Ascenders and descenders are relatively short and the level of stroke contrast is modest in body text sizes. The 'W' has three terminals at the top and the 'b' has a small tapered stroke ending at bottom left. The letterforms of Caslon's roman, or upright type include an 'A' with a concave hollow at top left and a 'G' without a downwards-pointing spur at bottom right. His typefaces established a strong reputation for their quality and their attractive appearance, suitable for extended passages of text. Caslon established a tradition of engraving type in London, which previously had not been common, and was influenced by the imported Dutch Baroque typefaces that were popular in England at the time. He worked in the tradition of what is now called old-style serif letter design, that produced letters with a relatively organic structure resembling handwriting with a pen. CaslonД¬aslon is the name given to serif typefaces designed by William Caslon I (c.В 1692вЂ“1766) in London, or inspired by his work.Д¬aslon worked as an engraver of punches, the masters used to stamp the moulds or matrices used to cast metal type. For other uses, see Caslon (disambiguation).

CASLON FONT SUBSTITURE PROFESSIONAL

This is typically what would be done in professional layout programs, but unfortunately, Office tried historically to be too clever.This article is about the typeface. What we would suggest is that when you use professional fonts in Microsoft Office applications, you set line spacing using the Exactly setting with the value in points equaling 1.2 times the text point size.

There is nothing that Adobe can do about this algorithmic quirk on the part of Microsoft.

CASLON FONT SUBSTITURE PRO

A font such as Adobe Caslon Pro has a number of tall вЂњornamentвЂќ glyphs and I suspect that Word is using their height for determining what Single spacing should be. Instead of taking the text point size and multiplying it by some factor (often 1.2 such that 10pt type is set with 12pt leading and 12pt type is set with 14pt leading), Word seems to look inside the font for some metric such as the height of the tallest glyph in the font. The base cause of this anomaly is that Word has its own heuristics as to what Single spacing (or for that matter, Double, or Triple spacing) is.

CASLON FONT SUBSTITURE PDF

When I get back to my office in mid-February, I will see whether with Word 2016, the spacing differs on screen than for PDF output or printing. Using Word 2013 with Adobe Caslon Pro with paragraph line spacing set to Single, I see the same extra spacing on screen as for PDF output or printing.

Caslon font substiture